ESSAYS
Lynne Tillman’s Memoir of Caring for Her Mother | The New Republic
The Consolations of the Illness Memoir | The New Republic
The First Year | The Point’s Quarantine Journal
In “The Collected Schizophrenias,” Esmé Weijun Wang Maps the Terrain of Her Mental Illness | The New Yorker
Pico Iyer’s Japanese Love Story, from Spring to “Autumn Light” | The New Yorker
Never Look Away Grapples with Germany’s Past | The New Republic
Truth Construction | n+1
Every Body Goes Haywire | n+1
The Transportive Power of the Cobbler Shop | The New Yorker
The Year of Hygge, the Danish Art of Getting Cozy | The New Yorker
First the Rape, Then the Rape Kit | Matter
What Was So Great About 1994? | The New York Times
Are Protests Against Israel Anti-Semitic? Ask the Germans | The New York Times
Getting to a Body Count Tasks More Than Math | The New York Times
When Struggling Families Spark Internet Rage | The New York Times
A Jewish Gefilte Christmas | The New Yorker
No-Budget Recipes | The New Yorker
Two Versions, One Heti | The Paris Review
How to Stop Time | The New York Times
This Is What a City Under Bombardment Looks Like | The New York Times
Radical Chic | The New York Times
How Doctors See the Syrian Civil War | The New York Times
Socialist Cowboys | The New Yorker
Reframing War | Conveyor
CRITICISM
An Earlier Age When the United States Kept Immigrants Out | The New York Times Book Review
Listening to Women’s Bodies | The New York Review of Books Daily
The Artist Who Captures the Sound of Political Terror | The New Yorker
Where Memory Leads by Saul Friedländer | The New York Times Sunday Book Review
'Unfamiliar Streets' and 'Touching Strangers' | The New York Times Sunday Book Review
Group f.64,’ about Ansel Adams and Others, by Mary Street Alinder | The New York Times
Sunday Book Review
'Zero Motivation' Satirizes Life in the IDF | Tablet
Who She Really Was: ‘She Left Me the Gun,’ by Emma Brockes | The New York Times
Sunday Book Review
Jewish Identities | The New York Times Sunday Book Review
'Decadal Variations' at Andrea Muslin Gallery | Tablet
Go East: Christian Petzold's 'Barbara' | The New Yorker